Canon EOS C500 Body

Rp 165.000.000

Garansi: 1th PT. Datascrip

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EOS C500

Power to create: 4K, RAW, Canon Log Gamma

The powerful, compact EOS C500 offers 4K video capture, RAW data output and Canon Log Gamma to unleash the full potential of Cinema EF Lenses and deliver high-quality video with wide dynamic range.
  • 8.85MP Super 35mm CMOS sensor
  • 4K RAW
  • Interchangeable lens (EF mount)
  • Compact, modular, lightweight
  • 50Mbps MPEG-2 MXF to CF card
  • High sensitivity, low noise
  • Canon Log Gamma
  • 24.00p for movie production
  • Wi-Fi remote control
  • Slow and Fast Motion
  • Workflow integration

K 10 bit RAW

The C500 offers 4K 10-bit RAW, 2K RGB (4:4:4, 10 / 12 bit) or Full HD RGB data output to a compatible third party external device at frame rates of up to 60P. Two further SDI outputs can connect to an external monitor. Simultaneously record Full HD MXF files to CF cards for use as proxies in desktop editing.

Canon Log

Shooting with Canon Log delivers neutral image quality with wide dynamic range - 12-stops of latitude at a base setting of ISO 850 - for maximum freedom in post-production.

Slow and Fast Motion

During internal CF recording mode, the EOS C500 provides a Slow and Fast Motion Mode that can be used to record at a different frame rate than the playback frame rate, thereby resulting in either a fast or slow motion effect. Because the EOS C500 is recording real frames, and simply modifying the data playback rate, there is no overall quality loss due to interpolation; maximum image quality is maintained. In HD 1080 mode, fast motion is supported at up to 30-times normal rate and as slow as 1/1.25sec.; in HD 720 mode, fast motion is supported up to 60-times the normal rate, and as slow as 1/2.5 seconds. In 4K / 2K output modes the camera provides variable frame rate control that can be output to external recorders.

The EOS C500 incorporates an interval recording function. With this feature set, users can program the camera to record a specified number of frames at specified intervals for time-lapse capture.

Imaging Sensor
Effective Pixels 4096 x 2160 pixels; Approx. 8.85 megapixels
Total Pixels 4206 x 2340 pixels; Approx. 9.84 megapixels
Sensor Type CMOS
Sensor Size Super 35; 26.2 x 13.8 (29.6 mm diagonal); 6.4 µm cell pitch
Scanning System Progressive
Number of Sensors 1
Filter RGB Primary Color Filter (Bayer Array)
Imaging Processor Digic DV III
Lens System
Interchangeable Lens System Choice of PL or EF mounts for compatibility with a wide variety of lens systems.
ND Filter Mechanical ND filter system with option of clear, 2, 4, and 6 stops
Iris Dial Iris Dial located on camera body for use with EOS EF Lenses with electronic Iris control (EF Camera version only)
Peripheral Illumination Correction Available on EF Mount model only
Exposure And Metering
Exposure Modes Manual
Gain Normal Setting -6dB to 30 dB TBD Fine Setting 0dB to 24 dB in 0.5 dB increments
ISO 320 to 80,000
Shutter Modes 3 Modes: OFF; Speed; Angle; Slow Shutter; Clear Scan Speed Mode is selected in 1/3 or ¼ stop increments
Shutter Speed Range 59.94i/59.94p: 1/60 to 1/2000 in 1/4 or 1/3 stops; SLS: ¼, 1/8, 1/15, 1/30; CS: 59.94 Hz - 250.27 Hz 29.97p: 1/30 to 1/2000 in 1/4 or 1/3 stops; SLS: ¼, 1/8, 1/15; CS: 29.97 Hz - 250.27 Hz
Shutter Angle Settings 59.94i/59.94p: 360, 240, 216, 180, 120, 90, 60, 45, 30, 22.5, 15, 11.25 29.97p: 360, 240, 216, 180, 120, 108, 90, 60, 45, 30, 22.5, 15, 11.25
Iris (Aperture) Range EF Lens only - ½. 1/3 stop or fine setting can be selected Smooth Manual control on Cinema Lenses
Focus Settings Manual
AF Modes None
Compression 8 Bit MPEG-2 Long GOP
Maximum Bit rate 50Mbps (CBR)
Recording Options Recording Options
Recording Media CF Card (Type 1 Only); 2 Slots (Movie Files); UDMA supported SD Card (Still Images (JPEG), Custom Picture Data*, Clip Metadata, and menu settings); SD/SDHC/SDXC Supported; MMC Cards are not supported
File Format MXF (OP-1a)
File System FAT 32
Maximum Clip Number 999 (per media)
Recording Format Linear PCM; 2-Channel; 16-Bit; 48 kHz
Built-in Microphone None
External Audio Inputs 2 - XLR inputs (Auto and Manual level settings) External microphone terminal: (3.5 mm diameter)
Recording Channel Selection This is used to set the allocation of the audio channels: CH1/CH2: The CH1 signals are allocated to the L output channel, and the CH2 signals are allocated to the R output channel.
Features And Performace
Playback Clip Display: 3x4 Index Display, Original, OK Mark, Check Mark, Shot Mark, Expand, Photo (SD Card), Clip Metadata Clip Playback: Forward Search (x5, x15, x60), Reverse Search (x5, x15, x60), Forward frame Advance, Reverse Frame Advance, Record Review, Skip to next clip, skip to previous clip
Special Recording Functions Relay Recording*; Double-Slot Recording**; Copying between Media * Not available during Slow Motion 50 Mbps recording
Photo Recording Mode Available; Images captured to SD Card
Waveform Monitor Available; 2 Modes (Standard and RGB Component)
Vectorscope Available
Exposure/Focus Aids Peaking (2 types), Zebra Pattern*, Magnify, Edge Monitor Focus Assist, Black and White Mode *Can be output via the SDI or HDMI Jack (HD Only)
Interval Record Available; ability to set time interval and number of frames to record Interval can be set in 25 levels ranging from 1 second to 10 minutes.
Frame Record Available; Records a set number of frames each time the record button is pressed NTSC 59.94i/23.98p/24.00p: Selectable between 1, 3, 6, 9 frames
Pre-Record Yes, 3 seconds cache (Audio and Video)
Scan Reverse When using a Depth of Field Converter or other lens adapters it flips or reverses the image automatically so it is recorded correctly.
Time code *Drop Frame (DF) and Non-Drop Frame (NDF) *Drop frame works with NTSC models only and is not available in 24P
Time Code Modes Regeneration, Record Run, Free Run and External Source
Auto White Balance (AWB) Not Available
White Balance Kelvin Setting 2,000K to 15,000K in 100K increments
White Balance Presets Daylight (5,400K); Tungsten (3,200K); Kelvin White balance shift is available within Presets (-9 to +9)
Auto Black Balance Available
Custom Picture Settings 23 Custom Picture settings A total of nine 9 Customized Pictures are available in the camera and up to 20 can be saved to an SD card
Custom Functions Available, 9 total functions
Custom Display Yes; LCD panel and EVF information display can be customized Total of 27 display and icons that can be turned on and off
On Screen Markers Yes
Assign Buttons 15; Can be assigned functions as desired (37 functions Available)
Color Bars Color bars compliant with SMPTE, EBU, or ARIB standards can be selected.
Minimum Subject Illumination 59.94 Hz Mode: 0.3 Lux (f/1.2, 24 dB, 29.97p, 1/30 sec.)
Sensitivity 59.94 Hz Mode: F9 (1920 x 1080/59.94i, ISO 640 (0 dB), 2000 lux, 89.9% Reflection)
S/N Ratio 59.94 Hz Mode: 54 dB (Typical) (1920x1080/29.97p, Canon Log, ISO 850, Dynamic Range 800%)
Dynamic Range During Normal Shooting: 300% *With Canon Log Gamma: 800%
Viewing Angle Adjustment Available; Viewing Angle can be adjusted up and down 60°
Diopter Adjustment Range +2.0 to -5.5
EVF Adjustments Brightness, Contrast, Color, and Backlight (Normal or Bright)
LCD Monitor
Display Adjustments Brightness, Contrast, Color, Sharpness, and Backlight (Normal or Bright)
Input / Output
HD/SD SDI Yes; (with embedded audio); HD 8-bit 4:2:2 (YPbPr) 1920x1080: 59.94i/50i/23.98/24.00, 1280x720: 59.94p/50p/23.98/24.00
3G SDI Available; 2x BNC Output Modes: RAW (10-bit); RGB 4:4:4 (10-bit/12-bit); YCC 4:2:2 (10-bit)
Video Monitor Out Available; 2x BNC Resolution: 2048x1080 / 1920x1080
Time code In/Out Yes; BNC Connector (Input and Output)
Genlock Yes; BNC Connector (Input Only) Adjustment range: -1023 to +1023
Synch Out Yes, BNC Connector (1) HD tri-level signal (HD Sync) 1920x1080: 59.94i/50i/23.98/24.00, 1280x720: 59.94p/50p/23.98, 24.00; The HD standard analog component Y signal with the black muted is output.
HDMI Yes (Type A) HD 8-bit 4:2:2 (YPbPr) 1920x1080: 60i/59.94i/50i, 1280x720: 60p/59.94p/50p
Audio Input Terminal 2 - Balanced 3-pin XLR on Monitor Unit (Mic Level, Mic Level with phantom power and Line Level) 3.5mm Microphone terminal
Headphone Jack Available; 3.5mm stereo mini-jack
Remote Terminals Available (Fully LANC Compatible) Remote control through WFT-E6A accessory is also possible
Supply DC 7.4 V (Battery Pack) / DC 8.4 V (DC In)
Power Terminal DC in on camera (no need for Dummy Battery)
Battery BP-9 Series (Excluding BP-925)
Compact Power Adapter CA-940N
Tripod Adapter Canon TA-100
Tripod Adapter Base Canon TB-1
Zoom Remote Controller Canon ZR 2000
Wi-Fi Adapter WFT-E6A