PANASONIC Lumix DMC-GH5 Body
Panasonic Lumix DMC-GH5 Body
DC-GH5GC-K
PHOTOS. VIDEOS. Explore New Frontiers.
20.3MP Pixel-Perfect Shooter
LUMIX GH5 memiliki kemampuan nyata dengan performa sensor Digital Live MOS-nya yang didukung oleh resolusi 20,3 megapiksel untuk mencapai kualitas gambar yang unggul dalam sejarah kamera digital LUMIX G. Dengan peniadaan low-pass filter dari sensor ini, Anda dapat menangkap gambar yang sangat tajam dalam kisaran dinamis tinggi dan bebas artefact dengan percaya diri. LUMIX GH5 adalah kamera cantik yang dibuat oleh Anda dan didesain oleh para insinyur di Panasonic.
Venus Engine Beauty
Perpaduan sensor Digital Live MOS yang canggih dengan kecantikan Venus Engine 10 terbaru, mereproduksi detail warna yang luar biasa dan ekspresi tekstur yang alami. Multipixel Luminance Generation dan Intelligent Detail Processing memberikan kecerahan dan kontras yang intens. Three-Dimensional Colour Control dengan warna-warna yang kaya dari corak gelap ke terang dan presisi tinggi Multi Process NR membuat gambar Anda menonjol. Para pengguna video akan terkesan dengan performa pengaturan sensitivitas ISO tinggi dalam kisaran perseptual yang dinamis.
Got the Shakes? Eliminate blur at any setting
Memegang kamera pada waktu yang tepat bukanlah hal yang mudah. Berkat adanya kompensasi cerdas 5-axis Dual I.S. (Image Stabiliser) 2*, Anda dapat mengatasinya. Ini setara dengan 5 kali lipat durasi exposure, yang artinya, Anda dapat menggunakan kecepatan rana 5-stop slower hingga tele-end.
LUMIX GH5 menghilangkan getaran pada rangka dan lensa dari sudut lebar hingga tele-end**. Juga dapat dilakukan pada perekaman foto dan video, termasuk 4K video. Kekuatan menakjubkan dari 5-axis Body I.S, memperbaiki getaran pada semua lensa, termasuk lensa klasik yang tidak dilengkapi O.I.S.
* 5-axis Dual I.S. 2 berfungsi bila menggunakan lensa yang kompatibel. Pembaruan firmware lensa juga diperlukan.
** Berdasarkan standar CIPA [arah Yaw/Pitch: jarak pemfokusan f=50-140mm (setara kamera film 35mm f=100-280mm), bila menggunakan H-FS14140.]
World 1st* 4K 60p/50p Smooth Quality Video
LUMIX GH5 membawa performa pengambilan gambar profesional ke tingkat lain dengan presisi tinggi dan kemampuan perekaman video sehalus sutra 4K 60p/50p (QFHD 4K: 3840 x 2160 / MOV atau MP4). Laju bidang yang lebih cepat menghasilkan kompensasi gerakan yang sempurna. Anda dapat memperlambat rekaman video dalam timeline proses edit video tanpa kehilangan detail. Anda juga dapat mencapai kontrol panning yang sempurna dan pengurangan efek rolling shutter sebagaimana terlihat dalam laju bidang yang lebih sedikit.
Gambar resolusi tinggi dan jarak fokus yang sempurna juga dapat dicapai karena LUMIX GH5 dilengkapi pixel for pixel, no sensor cropping recording. Tanpa batas durasi rekaman, sehingga Anda dapat merekam lebih dari 30 menit dalam semua setelan rekaman.
* Untuk kamera DSLM (Digital Single Lens Mirrorless) mulai 4 Januari 2017.
** Tersedia di Musim Panas 2017.
World 1st* 4:2:2 10-bit Internal Recording
LUMIX GH5 menghadirkan perekaman video 4K dengan 4:2:2 10-bit yang akan membawa pengalaman merekam video menjadi semakin menakjubkan. Misalnya, 10-bit akan memberikan detail kehalusan gradasi warna langit dan matahari terbenam tanpa adanya ketidakakuratan cahaya hingga hampir 8-bit. Kemampuan pembuatan film yang tangguh dalam kamera menetapkan standar baru dalam pembuatan film bergaya unik, Anda juga dapat merekam 4:2:2 10-bit ke kartu SD sekaligus memberikan sinyal langsung melalui port** HDMI ukuran penuh yang terhubung ke monitor atau perekam eksternal. Perekaman dengan 4:2:2 10-bit memungkinkan pembuatan warna asli dan gradasi dengan lebih dari satu miliar warna dan empat kali keharmonisan 8-bit untuk menyesuaikan dengan tujuan profesional. Mode 400Mbps (ALL-Intra) high bitrate recording yang akan membuat Anda tercengang tersedia dengan pembaruan firmware***.
* Untuk kamera dengan sistem lensa yang dapat diganti mulai dari tanggal 4 Januari 2017.
4K 4:2:2 10 bit 60p/50p video hanya output.
** Tersedia di Musim Panas 2017.
Professional Versatility All Around The World
Dengan banyak format video dan bit rate, LUMIX GH5 siap untuk penggunaan profesional dengan beragam beragam seperti web, TV, DVD/Blu Ray dan produksi sinema digital. Anda dapat memilih mulai dari empat format perekaman seperti AVCHD dan MP4 untuk pemutaran yang mudah, atau MP4 (LPCM) dan MOV untuk kemudahan proses edit profesional. Bit rate dapat diperbesar hingga maksimum 400 Mbps* (ALL-Intra) atau 150 Mbps (Long GOP (IPB Compression)), tanpa batas durasi perekaman. LUMIX GH5 dapat digunakan di seluruh dunia karena frekuensi sistemnya dapat dipilih mulai dari 59,94 Hz (NTSC), 50,00 Hz (PAL), atau 24,00 Hz (CINEMA).
* Pembaruan firmware pada musim panas 2017.
Live Output & HDMI Type A with Cable Lock Holder
LUMIX GH5 mampu memberikan output gambar real-time 4:2:2 10-bit untuk monitor atau perekam eksternal melalui kabel HDMI opsional (ukuran penuh Tipe A), sementara secara bersamaan memberikan internal 4:2:2 10-bit recording*. Ideal untuk pembuatan video profesional yang memerlukan pemantauan akurat imagery atau perekaman berkualitas tinggi untuk perangkat codec eksternal (seperti Pro Res).
* 4K 60p/50p hanya output.
Built-in Microphone with NR Structure
LUMIX GH5 dilengkapi dengan mikrofon khusus dalam rangka kamera yang menghasilkan kualitas suara jernih.
Ultra Fast Motion Detection & Focus
Teknologi DFD (Depth From Defocus) Panasonic yang inovatif senantiasa berkembang dan menjadi semakin baik. DFD memungkinkan kamera LUMIX GH5 menghitung gerakan lensa fokus dengan membandingkan nilai kedalaman ruang (DOF) dari dua gambar pada kecepatan yang sangat tinggi. Dengan menggabungkan AF drive dan kecepatan baca maksimum 480 fps, LUMIX GH5 dapat mencapai kecepatan Auto Focus yang sangat tinggi hingga 0,05 detik* dan 9 fps burst shooting dengan AFC (* 12 fps burst shooting dengan AFS). Detektor gerakan yang baru diaplikasikan, secara akurat melacak subjek yang bergerak cepat, dan memungkinkan pengambilan 4K PHOTO/VIDEO & 6K PHOTO yang halus.
** Dalam AFS, pada wide-end dengan H-ES12060 (CIPA).
Never Miss A Shot with 6K/4K Burst
Bidik dengan bidikan kontinu tidak terbatas, lalu pilih dan ekstrak bingkai yang tepat yang Anda inginkan. Mode 6K PHOTO* terbaru dengan 30fps, memungkinkan Anda menangkap momen istimewa dengan resolusi tinggi sekitar 18 megapiksel yang menakjubkan. Mode 4K PHOTO dengan kecepatan sangat tinggi pada 60fps membekukan gerakan sangat cepat yang mungkin mustahil dilakukan dengan kamera konvensional. LUMIX GH5, benar-benar membuat momen tak lagi terlewatkan.
* 6K PHOTO adalah fungsi burst shooting dengan kecepatan tinggi yang memotong still image keluar dari rekaman video perbandingan 4:3 atau 3:2 dengan resolusi sekitar 18 megapiksel (sekitar 6000 x 3000 jumlah piksel efektif) yang dikelola gambar 6K.
Improved Focus Detect & Selective AF
Joystick Controller kini ditambahkan pada bagian belakang LUMIX GH5 tepat di bawah tombol kunci AFIAE. Anda dapat menggunakan fitur ini untuk mengatur fokkus pada blok di dalam area fokus secara halus dan intuitif.
225-Area AF
Area deteksi fokus secara masif ditingkatkan dari 49 poin (LUMIX GH4) ke 225 poin untuk komposisi yang fleksibel.
Custom Multi AF
Mode Custom Multi AF memungkinkan Anda untuk memilih susunan blok dengan bebas di dalam area fokus 225.
AF Zone Selectable
Ukuran dan posisi grup area fokus dapat disesuaikan untuk Multi AF / Custom Multi AF.
AF Customise
Dengan lebih banyak setelan AF yang dapat Anda sesuaikan dengan kebutuhan, kini Anda dapat menyesuaikan AF directionality tergantung pada adegan pemotretan.
Post Focus - Shoot now, Focus Later
Fungsi Post Focus yang fantastis memberikan kemampuan untuk menentukan fokus setelah pemotretan! Cukup tangkap adegannya, tinjau gambar, dan sentuh bagian foto dimana Anda ingin menetapkan titik fokus. Atur dan simpan. Mudah, menakjubkan, dan semua proses yang canggih ini ada dalam kamera ini.
Focus Stacking - Adjust The Focus Area After Shooting
Fungsi Focus Stacking memungkinkan Anda mengatur area fokus setelah pemotretan dengan memadukan berbagai gambar yang diambil pada jarak fokus berbeda untuk menghasilkan gambar dengan kedalaman ruang yang luar biasa. Anda bisa mendapatkan gambar dengan jenis defocus yang diinginkan, atau melakukan pan-focus pada gambar dengan memilih area fokus setelah pemotretan. Cara ini sangat berguna saat memotret dengan aperture cepat, close up, atau dalam fotografi makro.
Splash/Dust/Freezeproof Rugged Design
Kamera LUMIX GH5 dibuat tangguh bahkan untuk penggunaan berat di lapangan. Selain konstruksinya yang tahan percikan air/debu, kamera ini tahan cuaca dingin hingga -10 derajat, berkat segel cuaca yang terdapat pada tiap sambungan, dial, dan tombol. Rangka pelindung dari cetakan campuran magnesium membuat bodi kamera ini ringan, namun tahan lama sekaligus memberikan kekokohan pada ukurannya yang pas. Anda dapat membawa kamera ini ke mana pun.
High Performance Shutter Unit
Unit rananya andal selama sekitar 200.000 kali rilis*. Selain menawarkan kecepatan rana tertinggi pada maks. 1/8000 untuk menangkap bidikan spontan yang bergerak cepat saat digunakan dengan lensa aperture cepat (meskipun di luar ruangan) unit ini akan memberikan hasil de-focus yang mengesankan.
* Pengujian internal LUMIX Panasonic.
Optimum Control Components Layout
LUMIX GH5 menawarkan kontrol yang lebih intuitif dengan penambahan joystick pada pengoperasian konvensional dial depan/belakang. Tombol khusus ini memungkinkan Anda untuk menjangkau exposure compensation, setelan white balance, atau setelan ISO, dan maksimum 5 setelan yang dapat ditetapkan pada tombol Fn. Semua komponen ini didesain untuk dapat dioperasikan dengan mudah tanpa mengalihkan mata Anda dari jendela bidik.
Never Miss A Recording - Dual SD Card Slot
LUMIX GH5 dilengkapi dengan dua slot kartu memori SD untuk perekaman dengan kapasitas besar dan pengelolaan file yang efisien. Dua slot kartu memori SD ini memungkinkan Anda merekam dalam mode relay, backup, dan simultaneous. Dengan mode relay, Anda dapat beralih dari kartu memori yang penuh ke kartu memori yang kosong sehingga dapat secara virtual merekam adegan tanpa terhenti. Mode backup memungkinkan Anda untuk merekam secara terus-menerus pada satu kartu, sementara Anda memulai dan menghentikan rekaman di kartu lain. Simultaneous record menduplikasi rekaman pada kedua kartu.
LUMIX® Digital Single Lens Mirrorless Camera DC-GH5
| TYPE | Type | Digital Single Lens Mirrorless camera | |
| Recording media | SD Memory Card, SDHC Memory Card, SDXC Memory Card (Compatible with UHS-I / UHS-II UHS Speed Class 3 standard SDHC / SDXC Memory Cards) | ||
| Image sensor size | 17.3 x 13.0 mm (in 4:3 aspect ratio) | ||
| Lens mount | Micro Four Thirds mount | ||
| IMAGE SENSOR | Type | Live MOS Sensor | |
| Total pixels | 21.77 Megapixels | ||
| Camera effective pixels | 20.33 Megapixels | ||
| Color filter | Primary color filter | ||
| Dust reduction system | Supersonic wave filter | ||
| IMAGE STABILIZATION SYSTEM | Image sensor shift type (5-axis / 5-stop*), Dual I.S. (Dual I.S. 2 compatible) | ||
| IMAGE STABILIZATION SYSTEM | * Based on the CIPA standard [Yaw/Pitch direction: focusing distance f=60mm (35mm camera equivalent f=120mm), when H-FS12060 is used. | ||
| RECORDING SYSTEM | Recording file format | Still image | JPEG (DCF, Exif 2.31), RAW |
| 6K PHOTO*1 / 4K PHOTO | 6K PHOTO: MP4 (H.265/HEVC, Audio format: AAC (2ch)) | ||
| 6K PHOTO*1 / 4K PHOTO | 4K PHOTO: MP4 (H.264/MPEG-4 AVC, Audio format: AAC (2ch)) | ||
| Motion picture | MOV: H.264/MPEG-4 AVC (Audio format: LPCM (2ch 48kHz/16-bit, 48kHz/24-bit*, 96kHz/24-bit*)) *When attaching DMW-XLR1 (sold separately). | ||
| Motion picture | MP4: H.264/MPEG-4 AVC, H.265/HEVC*7 (Audio format: LPCM (2ch 48kHz/16-bit), AAC (2ch)) | ||
| Motion picture | AVCHD Progressive, AVCHD (Audio format: Dolby Audio 2ch) | ||
| System frequency | 59.94Hz, 50.00Hz, 24.00Hz | ||
| Aspect ratio | 4:3, 3:2, 16:9, 1:1 | ||
| Image quality | RAW, RAW+Fine, RAW+Standard, Fine, Standard | ||
| Color Space | sRGB, AdobeRGB | ||
| File size(Pixels) -Still Image | 4:03 | 5184x3888(L) / 3712x2784(M) / 2624x1968(S) / 4992x3744(6K PHOTO) / 3328x2496(4K PHOTO) | |
| 3:02 | 5184x3456(L) / 3712x2480(M) / 2624x1752(S) / 5184x3456(6K PHOTO) / 3504x2336(4K PHOTO) | ||
| 16:09 | 5184x2920(L) / 3840x2160(M) / 1920x1080(S) / 3840x2160(4K PHOTO) | ||
| 1:01 | 3888x3888(L) / 2784x2784(M) / 1968x1968(S) / 2880x2880(4K PHOTO) | ||
| File size (Pixels) -Motion picture | MOV*2/*4-59.94Hz | <[C4K] 4096x2160> 23.98p, 400Mbps (4:2:2 10-bit ALL-Intra) (LPCM, High-Res Audio) *7 | |
| MOV*2/*4-59.94Hz | <[C4K] 4096x2160> 23.98p, 150Mbps (4:2:2 10-bit LongGOP) (LPCM, High-Res Audio) / 100Mbps (4:2:0 8-bit LongGOP) (LPCM, High-Res Audio) | ||
| MOV*2/*4-59.94Hz | <[4K] 3840x2160> 59.94p, 150Mbps (4:2:0 8-bit LongGOP) (LPCM, High-Res Audio) | ||
| MOV*2/*4-59.94Hz | <[4K] 3840x2160> 29.97p, 400Mbps (4:2:2 10-bit ALL-Intra) (LPCM, High-Res Audio) *7 | ||
| MOV*2/*4-59.94Hz | <[4K] 3840x2160> 29.97p, 150Mbps (4:2:2 10-bit LongGOP) (LPCM, High-Res Audio) / 100Mbps (4:2:0 8-bit LongGOP) (LPCM, High-Res Audio) | ||
| MOV*2/*4-59.94Hz | <[4K] 3840x2160> 23.98p, 400Mbps (4:2:2 10-bit ALL-Intra) (LPCM, High-Res Audio) *7 | ||
| MOV*2/*4-59.94Hz | <[4K] 3840x2160> 23.98p, 150Mbps (4:2:2 10-bit LongGOP) (LPCM, High-Res Audio) / 100Mbps (4:2:0 8-bit LongGOP) (LPCM, High-Res Audio) | ||
| MOV*2/*4-59.94Hz | <[Full HD] 1920x1080> 59.94p, 200Mbps (4:2:2 10-bit ALL-Intra) (LPCM, High-Res Audio) *7 | ||
| MOV*2/*4-59.94Hz | <[Full HD] 1920x1080> 59.94p, 100Mbps (4:2:2 10-bit LongGOP) (LPCM, High-Res Audio) *6 | ||
| MOV*2/*4-59.94Hz | <[Full HD] 1920x1080> 59.94p, 100Mbps (4:2:0 8-bit LongGOP) (LPCM, High-Res Audio) | ||
| MOV*2/*4-59.94Hz | <[Full HD] 1920x1080> 29.97p, 200Mbps (4:2:2 10-bit ALL-Intra) (LPCM, High-Res Audio) *7 | ||
| MOV*2/*4-59.94Hz | <[Full HD] 1920x1080> 29.97p, 100Mbps (4:2:2 10-bit LongGOP) (LPCM, High-Res Audio) *6 | ||
| MOV*2/*4-59.94Hz | <[Full HD] 1920x1080> 29.97p, 100Mbps (4:2:0 8-bit LongGOP) (LPCM, High-Res Audio) | ||
| MOV*2/*4-59.94Hz | <[Full HD] 1920x1080> 23.98p, 200Mbps (4:2:2 10-bit ALL-Intra) (LPCM, High-Res Audio) *7 | ||
| MOV*2/*4-59.94Hz | <[Full HD] 1920x1080> 23.98p, 100Mbps (4:2:2 10-bit LongGOP) (LPCM, High-Res Audio) *6 | ||
| MOV*2/*4-59.94Hz | <[Full HD] 1920x1080> 23.98p, 100Mbps (4:2:0 8-bit LongGOP) (LPCM, High-Res Audio) | ||
| MOV*2/*4-50.00Hz | <[4K] 3840x2160> 50.00p, 150Mbps (4:2:0 8-bit LongGOP) (LPCM, High-Res Audio) | ||
| MOV*2/*4-50.00Hz | <[4K] 3840x2160> 25.00p, 400Mbps (4:2:2 10-bit ALL-Intra) (LPCM, High-Res Audio) *7 | ||
| MOV*2/*4-50.00Hz | <[4K] 3840x2160> 25.00p, 150Mbps (4:2:2 10-bit LongGOP) (LPCM, High-Res Audio) / 100Mbps (4:2:0 8-bit LongGOP) (LPCM, High-Res Audio) | ||
| MOV*2/*4-50.00Hz | <[Full HD] 1920x1080> 50.00p, 200Mbps (4:2:2 10-bit ALL-Intra) (LPCM, High-Res Audio) *7 | ||
| MOV*2/*4-50.00Hz | <[Full HD] 1920x1080> 50.00p, 100Mbps (4:2:2 10-bit LongGOP) (LPCM, High-Res Audio) *6 | ||
| MOV*2/*4-50.00Hz | <[Full HD] 1920x1080> 50.00p, 100Mbps (4:2:0 8-bit LongGOP) (LPCM, High-Res Audio) | ||
| MOV*2/*4-50.00Hz | <[Full HD] 1920x1080> 25.00p, 200Mbps (4:2:2 10-bit ALL-Intra) (LPCM, High-Res Audio) *7 | ||
| MOV*2/*4-50.00Hz | <[Full HD] 1920x1080> 25.00p, 100Mbps (4:2:2 10-bit LongGOP) (LPCM, High-Res Audio) *6 | ||
| MOV*2/*4-50.00Hz | <[Full HD] 1920x1080> 25.00p, 100Mbps (4:2:0 8-bit LongGOP) (LPCM, High-Res Audio) | ||
| MOV*2/*4-24.00Hz | <[C4K] 4096x2160> 24.00p, 400Mbps (4:2:2 10-bit ALL-Intra) (LPCM, High-Res Audio) *7 | ||
| MOV*2/*4-24.00Hz | <[C4K] 4096x2160> 24.00p, 150Mbps (4:2:2 10-bit LongGOP) (LPCM, High-Res Audio) / 100Mbps (4:2:0 8-bit LongGOP) (LPCM, High-Res Audio) | ||
| MOV*2/*4-24.00Hz | <[4K] 3840x2160> 24.00p, 400Mbps (4:2:2 10-bit ALL-Intra) (LPCM, High-Res Audio) *7 | ||
| MOV*2/*4-24.00Hz | <[4K] 3840x2160> 24.00p, 150Mbps (4:2:2 10-bit LongGOP) (LPCM, High-Res Audio) / 100Mbps (4:2:0 8-bit LongGOP) LPCM, High-Res Audio) | ||
| MOV*2/*4-24.00Hz | <[Full HD] 1920x1080> 24.00p, 200Mbps (4:2:2 10-bit ALL-Intra) (LPCM, High-Res Audio) *7 | ||
| MOV*2/*4-24.00Hz | <[Full HD] 1920x1080> 24.00p, 100Mbps (4:2:2 10-bit LongGOP) (LPCM, High-Res Audio) *6 | ||
| MOV*2/*4-24.00Hz | <[Full HD] 1920x1080> 24.00p, 100Mbps (4:2:0 8-bit LongGOP) (LPCM, High-Res Audio) | ||
| MP4*2-59.94Hz | <[C4K] 4096x2160> 23.98p, 400Mbps (4:2:2 10-bit ALL-Intra) (LPCM) *7 | ||
| MP4*2-59.94Hz | <[C4K] 4096x2160> 23.98p, 150Mbps (4:2:2 10-bit LongGOP) (LPCM) / 100Mbps (4:2:0 8-bit LongGOP) (LPCM) | ||
| MP4*2-59.94Hz | <[4K] 3840x2160> 59.94p, 150Mbps (4:2:0 8-bit LongGOP) (LPCM) | ||
| MP4*2-59.94Hz | <[4K] 3840x2160> 29.97p, 400Mbps (4:2:2 10-bit ALL-Intra) (LPCM) *7 | ||
| MP4*2-59.94Hz | <[4K] 3840x2160> 29.97p, 150Mbps (4:2:2 10-bit LongGOP) (LPCM) / 100Mbps (4:2:0 8-bit LongGOP) (LPCM) / 100Mbps (4:2:0 8-bit LongGOP) (AAC) | ||
| MP4*2-59.94Hz | <[4K] 3840x2160> 23.98p, 400Mbps (4:2:2 10-bit ALL-Intra) (LPCM) *7 | ||
| MP4*2-59.94Hz | <[4K] 3840x2160> 23.98p, 150Mbps (4:2:2 10-bit LongGOP) (LPCM) / 100Mbps (4:2:0 8-bit LongGOP) (LPCM) / 100Mbps (4:2:0 8-bit LongGOP) (AAC) | ||
| MP4*2-59.94Hz | <[4K] 3840x2160> 29.97p, 72Mbps (4:2:0 10-bit LongGOP) (AAC) (HEVC, HLG recording) *7 | ||
| MP4*2-59.94Hz | <[4K] 3840x2160> 23.98p, 72Mbps (4:2:0 10-bit LongGOP) (AAC) (HEVC, HLG recording) *7 | ||
| MP4*2-59.94Hz | <[Full HD] 1920x1080> 59.94p, 200Mbps (4:2:2 10-bit ALL-Intra) (LPCM) *7 | ||
| MP4*2-59.94Hz | <[Full HD] 1920x1080> 59.94p, 100Mbps (4:2:2 10-bit LongGOP) (LPCM) *6 | ||
| MP4*2-59.94Hz | <[Full HD] 1920x1080> 59.94p, 100Mbps (4:2:0 8-bit LongGOP) (LPCM) | ||
| MP4*2-59.94Hz | <[Full HD] 1920x1080> 29.97p, 200Mbps (4:2:2 10-bit ALL-Intra) (LPCM) *7 | ||
| MP4*2-59.94Hz | <[Full HD] 1920x1080> 29.97p, 100Mbps (4:2:2 10-bit LongGOP) (LPCM) *6 | ||
| MP4*2-59.94Hz | <[Full HD] 1920x1080> 29.97p, 100Mbps (4:2:0 8-bit LongGOP) (LPCM) | ||
| MP4*2-59.94Hz | <[Full HD] 1920x1080> 23.98p, 200Mbps (4:2:2 10-bit ALL-Intra) (LPCM) *7 | ||
| MP4*2-59.94Hz | <[Full HD] 1920x1080> 23.98p, 100Mbps (4:2:2 10-bit LongGOP) (LPCM) *6 | ||
| MP4*2-59.94Hz | <[Full HD] 1920x1080> 23.98p, 100Mbps (4:2:0 8-bit LongGOP) (LPCM) | ||
| MP4*2-59.94Hz | <[Full HD] 1920x1080> 59.94p, 28Mbps (4:2:0 8-bit LongGOP) (AAC) | ||
| MP4*2-59.94Hz | <[Full HD] 1920x1080> 29.97p, 20Mbps (4:2:0 8-bit LongGOP) (AAC) | ||
| MP4*2-59.94Hz | <[Full HD] 1920x1080> 23.98p, 24Mbps (4:2:0 8-bit LongGOP) (AAC) | ||
| MP4*2-50.00Hz | <[4K] 3840x2160>50.00p, 150Mbps (4:2:0 8-bit LongGOP) (LPCM) | ||
| MP4*2-50.00Hz | <[4K] 3840x2160>25.00p, 400Mbps (4:2:2 10-bit ALL-Intra) (LPCM) *7 | ||
| MP4*2-50.00Hz | <[4K] 3840x2160>25.00p, 150Mbps (4:2:2 10-bit LongGOP) (LPCM) / 100Mbps (4:2:0 8-bit LongGOP) (LPCM) / 100Mbps (4:2:0 8-bit LongGOP) (AAC) | ||
| MP4*2-50.00Hz | <[4K] 3840x2160>25.00p, 72Mbps (4:2:0 10-bit LongGOP) (AAC) (HEVC, HLG recording) *7 | ||
| MP4*2-50.00Hz | <[Full HD] 1920x1080>50.00p, 200Mbps (4:2:2 10-bit ALL-Intra) (LPCM) *7 | ||
| MP4*2-50.00Hz | <[Full HD] 1920x1080>50.00p, 100Mbps (4:2:2 10-bit LongGOP) (LPCM) *6 | ||
| MP4*2-50.00Hz | <[Full HD] 1920x1080>50.00p, 100Mbps (4:2:0 8-bit LongGOP) (LPCM) | ||
| MP4*2-50.00Hz | <[Full HD] 1920x1080>25.00p, 200Mbps (4:2:2 10-bit ALL-Intra) (LPCM) *7 | ||
| MP4*2-50.00Hz | <[Full HD] 1920x1080>25.00p, 100Mbps (4:2:2 10-bit LongGOP) (LPCM) *6 | ||
| MP4*2-50.00Hz | <[Full HD] 1920x1080>25.00p, 100Mbps (4:2:0 8-bit LongGOP) (LPCM) | ||
| MP4*2-50.00Hz | <[Full HD] 1920x1080>50.00p, 28Mbps (4:2:0 8-bit LongGOP) (AAC) | ||
| MP4*2-50.00Hz | <[Full HD] 1920x1080>25.00p, 20Mbps (4:2:0 8-bit LongGOP) (AAC) | ||
| MP4*2-24.00Hz | <[C4K] 4096x2160> 24.00p, 400Mbps (4:2:2 10-bit ALL-Intra) (LPCM) *7 | ||
| MP4*2-24.00Hz | <[C4K] 4096x2160> 24.00p, 150Mbps (4:2:2 10-bit LongGOP) (LPCM) / 100Mbps (4:2:0 8-bit LongGOP) (LPCM) | ||
| MP4*2-24.00Hz | <[4K] 3840x2160> 24.00p, 400Mbps (4:2:2 10-bit ALL-Intra) (LPCM) *7 | ||
| MP4*2-24.00Hz | <[4K] 3840x2160> 24.00p, 150Mbps (4:2:2 10-bit LongGOP) (LPCM) / 100Mbps (4:2:0 8-bit LongGOP) (LPCM) | ||
| MP4*2-24.00Hz | <[Full HD] 1920x1080> 24.00p, 200Mbps (4:2:2 10-bit ALL-Intra) (LPCM) *7 | ||
| MP4*2-24.00Hz | <[Full HD] 1920x1080> 24.00p, 100Mbps (4:2:2 10-bit LongGOP) (LPCM) *6 | ||
| MP4*2-24.00Hz | <[Full HD] 1920x1080> 24.00p, 100Mbps (4:2:0 8-bit LongGOP) (LPCM) | ||
| MP4*2-24.00Hz | <[Full HD] 1920x1080> 24.00p, 24Mbps (4:2:0 8-bit LongGOP) (AAC) | ||
| AVCHD Progressive*2/ AVCHD*2-59.94Hz | <[Full HD] 1920x1080> 59.94p, 28Mbps (LongGOP) (Dolby) | ||
| AVCHD Progressive*2/ AVCHD*2-59.94Hz | <[Full HD] 1920x1080> 59.94i, 24Mbps (LongGOP) (Dolby) (Sensor output is 29.97fps) | ||
| AVCHD Progressive*2/ AVCHD*2-59.94Hz | <[Full HD] 1920x1080> 59.94i, 17Mbps (LongGOP) (Dolby) (Sensor output is 59.94fps) | ||
| AVCHD Progressive*2/ AVCHD*2-59.94Hz | <[Full HD] 1920x1080> 23.98p, 24Mbps (LongGOP) (Dolby) | ||
| AVCHD Progressive*2/ AVCHD*2-50.00Hz | <[Full HD] 1920x1080> 50.00p, 28Mbps (LongGOP) (Dolby) | ||
| AVCHD Progressive*2/ AVCHD*2-50.00Hz | <[Full HD] 1920x1080> 50.00i, 24Mbps (LongGOP) (Dolby) (Sensor output is 25.00fps) | ||
| AVCHD Progressive*2/ AVCHD*2-50.00Hz | <[Full HD] 1920x1080> 50.00i, 17Mbps (LongGOP) (Dolby) (Sensor output is 50.00fps) | ||
| Continuous recordable time (Motion picture) | AVCHD [FHD/60p]: Approx. 150 min (rear monitor), 150 min (LVF) with H-ES12060, Approx. 160 min (rear monitor), 150 min (LVF) with H-HSA12035 / H-FS12060 | ||
| Continuous recordable time (Motion picture) | AVCHD [FHD/60i]: Approx. 150 min (rear monitor), 150 min (LVF) with H-ES12060, Approx. 160 min (rear monitor), 160 min (LVF) with H-HSA12035 / H-FS12060 | ||
| Continuous recordable time (Motion picture) | MP4 [4K/60p]: Approx. 100 min (rear monitor), 100 min (LVF) with H-ES12060 / H-HSA12035 / H-FS12060 | ||
| Continuous recordable time (Motion picture) | MP4 [4K/30p]: Approx. 110 min (rear monitor), 110 min (LVF) with H-ES12060 / H-HSA12035 / H-FS12060" | ||
| Actual recordable time (Motion picture) | AVCHD [FHD/60p]: Approx. 75 min (rear monitor), 75 min (LVF) with H-ES12060, Approx. 80 min (rear monitor), 75 min (LVF) with H-HSA12035 / H-FS12060 | ||
| Actual recordable time (Motion picture) | AVCHD [FHD/60i]: Approx. 75 min (rear monitor), 75 min (LVF) with H-ES12060, Approx. 80 min (rear monitor), 80 min (LVF) with H-HSA12035 / H-FS12060 | ||
| Actual recordable time (Motion picture) | MP4 [4K/60p]: Approx. 50 min (rear monitor), 50 min (LVF) with H-ES12060 / H-HSA12035 / H-FS12060 | ||
| Actual recordable time (Motion picture) | MP4 [4K/30p]: Approx. 55 min (rear monitor), 55 min (LVF) with H-ES12060 / H-HSA12035 / H-FS12060 | ||
| WIRELESS | WiFi | IEEE 802.11a/b/g/n/ac * 5GHz Wi-Fi is not available in some countries. | |
| WiFi | 1-13, 36, 40, 44, 48, 52, 56, 60, 64 ch | ||
| Bluetooth | Bluetooth® v4.2 (Bluetooth Low Energy (BLE)) | ||
| QR Code Connection | Yes | ||
| Password-less connection | Yes (ON / OFF selectable) | ||
| VIEWFINDER | Type | OLED Live View Finder (3,680k dots) | |
| Field of view | Approx. 100% | ||
| Magnification | Approx. 1.52x / 0.76x (35mm camera equivalent) with 50 mm lens at infinity; -1.0 m-1 | ||
| Eye point | Approx. 21 mm from eyepiece lens | ||
| Diopter adjustment | -4.0 - +3.0 (dpt) | ||
| Eye sensor | Yes | ||
| Eye sensor adjustment | High / Low | ||
| FOCUS | Type | Contrast AF system | |
| DFD technology | Yes | ||
| Post Focus | Yes | ||
| Focus Stacking | Yes | ||
| Focus mode | AFS (Single) / AFF (Flexible) / AFC (Continuous) / MF | ||
| AF mode | Face/Eye Detection / Tracking / 225-Area / Custom Multi / 1-Area / Pinpoint | ||
| AF mode | (Full area touch is available) (Scalable AF frame size (by front/rear dial) and flexible AF position (by Joystick)) | ||
| AF detective range | EV -4 - 18 (ISO100 equivalent) | ||
| AF assist lamp | Yes | ||
| AF lock | Yes (AF/AE LOCK button) | ||
| AF custom setting | AF Sensitivity, AF Area Switching Sensitivity, Moving Object Prediction | ||
| Others | One Shot AF, Shutter AF, Half Press Release, Quick AF, Continuous AF (during motion picture recording), Eye Sensor AF, AF+MF, MF Assist, Touch MF Assist, Focus Peaking, Touch AF/AE Function, Touch Pad AF, Touch Shutter | ||
| EXPOSURE CONTROL | Light metering system | 1,728-zone multi-pattern sensing system | |
| Light metering mode | Multiple / Center Weighted / Spot | ||
| Metering range | EV0-18 （F2.0 lens, ISO100 equivalent) | ||
| Exposure mode | Program AE, Aperture Priority AE, Shutter Priority AE, Manual | ||
| ISO sensitivity (Standard Output Sensitivity) | Still image: Auto / Intelligent ISO / 100 (Extended) / 200 / 400 / 800 / 1600 / 3200 / 6400 / 12800 / 25600 (Changeable to 1/3 EV step) | ||
| ISO sensitivity (Standard Output Sensitivity) | Creative Video Mode: Auto / 100 (Extended) / 200 / 400 / 800 / 1600 / 3200 / 6400 / 12800 (Changeable to 1/3 EV step) | ||
| Exposure compensation | 1/3 EV step ±5EV (±3EV for motion picture) | ||
| AE lock | Yes (AF/AE LOCK button) | ||
| WHITE BALANCE | White balance | AWB / AWBc / Daylight / Cloudy / Shade / incandescent / Flash / White Set 1, 2, 3, 4 / Color temperature setting 1, 2, 3, 4 | |
| White balance adjustment | Blue/Amber bias, Magenta/Green bias | ||
| Color temperature setting | 2500-10000K in 100K | ||
| SHUTTER | Type | Focal-plane shutter | |
| Shutter speed | Still image: Bulb (Max. 30 minutes), 1/8,000 - 60 | ||
| Shutter speed | Electronic first curtain shutter: Bulb (Max. 30 minutes), 1/2,000 - 60 | ||
| Shutter speed | Electronic shutter: 1/16,000 - 1 | ||
| Shutter speed | Motion picture: 59.94Hz: 1/16,000 - 1/30, 50.00Hz: 1/16,000 - 1/25, 23.98Hz: 1/16,000 - 1/24 (When using Synchro Scan) | ||
| Shutter life | Approx. 200,000 images | ||
| Self timer | 10sec, 3 images / 2sec / 10sec | ||
| Remote control | Remote control with Bulb function by DMW-RSL1 (sold separately) | ||
| BRACKET | AE bracket | 3, 5, 7 images in 1/3, 2/3 or 1 EV step, max. ±3 EV, single/burst | |
| Aperture Bracket | 3, 5 or all positions in 1 EV step | ||
| Focus Bracket | 1 to 999 images, focus steps can be set in 5 levels | ||
| White balance bracket | 3 exposures in blue/amber axis or in magenta/green axis, color temperature setting | ||
| BURST SHOOTING | Burst speed | [Mechanical shutter] AFS/MF: H: 12 frames/sec, M: 7 frames/sec (with Live View), L: 2 frames/sec (with Live View) | |
| Burst speed | [Mechanical shutter] AFF/AFC: H: 9 frames/sec, M: 7 frames/sec (with Live View), L: 2 frames/sec (with Live View) | ||
| Burst speed | [Electronic shutter] AFS/MF: H: 12 frames/sec, M: 7 frames/sec (with Live View), L: 2 frames/sec (with Live View) | ||
| Burst speed | [Electronic shutter] AFF/AFC: H: 9 frames/sec, M: 7 frames/sec (with Live View), L: 2 frames/sec (with Live View) | ||
| Number of recordable images | More than approx. 60 images (when there are RAW files with the particular speed) | ||
| Number of recordable images | More than approx. 600 images (when there are no RAW files) | ||
| Number of recordable images | (depending on memory card size, battery power, picture size, and compression) | ||
| 6K PHOTO*1 / 4K PHOTO | Burst speed | [6K PHOTO] 30 frames/sec | |
| Burst speed | [4K PHOTO] 60 frames/sec, 30 frames/sec | ||
| Exif information | Yes (Each JPEG image cropped out of the 6K/4K burst file complies with EXIF.) | ||
| Marking function | Yes (in 6K/4K Burst (S/S) mode) | ||
| Loop rec function | Yes (in 6K*7/4K Burst (S/S) mode) | ||
| FLASH | Flash type | TTL External Flash (sold separately) | |
| Flash Mode | Auto*, Auto/Red-eye Reduction*, Forced On, Forced On/Red-eye Reduction, Slow Sync., Slow Sync./Red-eye Reduction, Forced Off * For iA, iA+ only. | ||
| Synchronization speed | Less than 1/250 second | ||
| Flash output adjustment | 1/3EV step ±3EV | ||
| Flash synchronization | 1st. Curtain Sync, 2nd Curtain Sync. | ||
| Synchronization for flash dimming and exposure compensation | Yes | ||
| Wireless control | Yes (When using DMW-FL200L / FL360L / FL580L (sold separately)), Wireless Channel: 1ch/2ch/3ch/4ch | ||
| Flash sync socket | Yes | ||
| REAR MONITOR | Type | TFT LCD monitor with static touch control | |
| Monitor size | Free-angle 3.2-inch (8.0cm) / 3:2 aspect / Wide viewing angle | ||
| Pixels | Approx. 1,620k dots | ||
| Filed of view | Approx. 100% | ||
| Monitor adjustment | Brightness, Contrast, Saturation, Red-Green, Blue-Yellow | ||
| LIVE VIEW | Digital zoom | 2x, 4x | |
| Extra Tele Conversion | Still image: Max. 2x | ||
| Extra Tele Conversion | 4K PHOTO: 1.6x (4:3), 1.5x (3:2), 1.4x (16:9, 1:1) | ||
| Extra Tele Conversion | Motion picture: 2.7x (FHD), 1.4x (4K) | ||
| Other functions | Level Gauge, Real-time Histogram, Guide Lines (3 patterns), Center Marker, Highlight display (Still image / motion picture), Zebra pattern (Still image / motion picture) | ||
| DIRECTION DETECTION FUNCTION | Direction Detection Function | Yes | |
| FUNCTION BUTTON | REC | Wi-Fi / Q.MENU / LVF/Monitor Switch / LVF/Monitor Disp. Style / AF/AE LOCK / AF-ON / Preview / One Push AE / Touch AE / Level Gauge / Focus Area Set / Zoom Control / 1 Shot RAW+JPG / 1 Shot Spot Metering / Operation Lock / Dial Operation Switch / Photo Style / Filter Select / Aspect Ratio / Picture Size / Quality / AFS/AFF / Metering Mode / Burst Rate / 6K/4K PHOTO / Self Timer / Bracket / Highlight Shadow / i. Dynamic / i. Resolution / Post Focus / HDR / Shutter Type / Flash Mode / Flash Adjust. / Wireless Flash Setup / Ex. Tele Conv. / Digital Zoom / Stabilizer / ON/OFF of each item in White Balance / ON/OFF of each item in Photo Style / AF Mode/MF / Rec/Playback Switch / Off / 4K Live Cropping / Motion Pic. Rec Format / Motion Pic. Rec Quality / Variable Frame Rate / Picture Mode in Rec. / Synchro Scan / Time Code Display / Mic. Directivity Adjust / Color Bars / WFM/Vector Scope / Focus Transition / LUT Monitor Display* / LUT HDMI Display* / Silent Mode / Peaking / Histogram / Guide Line / Zebra Pattern / Monochrome Live View / Rec Area / Video-Priority Display / Step Zoom / Zoom Speed / Restore to Default / Video Record*7 / Destination Slot*7 / Min. Shtr Speed*7 / I.S. Lock (video)*7 / Mic Level Adj.*7 / HLG View Assist (HDMI)*7 / Anamorphic Desqueeze Display*7 / HLG View Assist*7 / Video Guide Line*7 / Constant Preview*7 Upgrade Software Key DMW-SFU1 (sold separately) is required. | |
| PLAY | Wi-Fi / LVF/Monitor Switch / Slot Change / 6K/4K Photo Play / Delete Single / Protect / Rating 1, 2, 3, 4, 5 / Print Set / Copy / Off / Restore to Default / Rec/Playback Switch*7 / RAW Processing*7 / 6K/4K PHOTO Bulk Saving*7 / Anamorphic Desqueeze Display*7 / HLG View Assist*7 / HLG View Assist (HDMI) *7 | ||
| PHOTO STYLE | Photo Style | Standard / Vivid / Natural / Monochrome / L. Monochrome / Scenery / Portrait / Custom 1, 2, 3, 4 / Cinelike D / Cinelike V / Like709* / Hybrid Log Gamma*/*7 / V-LogL*/** | |
| Photo Style | *When Creative Video Mode is selected. **Upgrade Software Key DMW-SFU1 (sold separately) is required. | ||
| CREATIVE CONTROL | Creative Control | Expressive / Retro / Old Days / High Key / Low Key / Sepia / Monochrome / Dynamic Monochrome / Rough Monochrome* / Silky Monochrome* / Impressive Art / High Dynamic / Cross Process / Toy Effect / Toy Pop / Bleach Bypass / Miniature Effect** / Soft Focus* / Fantasy / Star Filter* / One Point Color / Sunshine* *For photos only. **Not available in 4:2:2 10-bit video or 4K video recording. | |
| CREATIVE VIDEO MODE | Exposure mode | Program AE/ Aperture-Priority / Sutter-Priority / Manual Exposure | |
| Variable frame rate | 59.94Hz | 2, 30, 56, 58, 60, 62, 64, 90, 120, 150, 180 fps | |
| 59.94Hz | 2, 15, 26, 28, 30, 32, 34, 45, 60 fps | ||
| 59.94Hz | 2, 15, 26, 28, 30, 32, 34, 45, 60, 75, 90, 105, 120, 135, 150, 165, 180 fps | ||
| 59.94Hz | 2, 12, 20, 22, 24, 26, 28, 36, 48, 60 fps | ||
| 59.94Hz | 2, 12, 20, 22, 24, 26, 28, 36, 48, 60, 72, 84, 96, 108, 120, 132, 144, 156, 168, 180 fps | ||
| 50.00Hz | 2, 25, 46, 48, 50, 52, 54, 75, 100, 150, 180 fps | ||
| 50.00Hz | 2, 12, 21, 23, 25, 27, 30, 37, 60 fps | ||
| 50.00Hz | 2, 12, 21, 23, 25, 27, 30, 37, 50, 62, 75, 87, 100, 125, 150, 175, 180 fps | ||
| 24.00Hz | 2, 12, 20, 22, 24, 26, 28, 36, 48, 60 fps | ||
| 24.00Hz | 2, 12, 20, 22, 24, 26, 28, 36, 48, 60, 72, 84, 96, 108, 120, 132, 144, 156, 168, 180 fps | ||
| ANAMORPHIC MODE | High-Resolution Anamorphic mode (4:3) | MP4*2/59.94Hz | <4992x3744> MP4/59.94p 29.97p, 200Mbps (4:2:0 10-bit LongGOP) (LPCM) (HEVC) *7/<4992x3744> MP4/59.94p 23.98p, 200Mbps (4:2:0 10-bit LongGOP) (LPCM) (HEVC) *7 |
| MP4*2/50.00HZ | <4992x3744> MP4/59.94p 25.00p, 200Mbps (4:2:0 10-bit LongGOP) (LPCM) (HEVC) *7 | ||
| MP4*2/24.00Hz | <4992x3744> MP4/59.94p 24.00p, 200Mbps (4:2:0 10-bit LongGOP) (LPCM) (HEVC) *7 | ||
| Anamorphic 4K mode (4:3) | MOV*2/*4-59.94Hz | <3328x2496> 59.94p, 150Mbps (4:2:0 8-bit LongGOP) (LPCM, High-Res Audio) | |
| MOV*2/*4-59.94Hz | <3328x2496> 29.97p, 400Mbps (4:2:2 10-bit ALL-Intra) (LPCM, High-Res Audio) *7 | ||
| MOV*2/*4-59.94Hz | <3328x2496> 29.97p, 150Mbps (4:2:2 10-bit LongGOP) (LPCM, High-Res Audio) *6 | ||
| MOV*2/*4-59.94Hz | <3328x2496> 29.97p, 100Mbps (4:2:0 8-bit LongGOP) (LPCM, High-Res Audio) | ||
| MOV*2/*4-59.94Hz | <3328x2496> 23.98p, 400Mbps (4:2:2 10-bit ALL-Intra) (LPCM, High-Res Audio) *7 | ||
| MOV*2/*4-59.94Hz | <3328x2496> 23.98p, 150Mbps (4:2:2 10-bit LongGOP) (LPCM, High-Res Audio) *6 | ||
| MOV*2/*4-59.94Hz | <3328x2496> 23.98p, 100Mbps (4:2:0 8-bit LongGOP) (LPCM, High-Res Audio) | ||
| MOV*2/*4-50.00Hz | <3328x2496> 50.00p, 150Mbps (4:2:0 8-bit LongGOP) (LPCM, High-Res Audio) | ||
| MOV*2/*4-50.00Hz | <3328x2496> 25.00p, 400Mbps (4:2:2 10-bit ALL-Intra) (LPCM, High-Res Audio) *7 | ||
| MOV*2/*4-50.00Hz | <3328x2496> 25.00p, 150Mbps (4:2:2 10-bit LongGOP) (LPCM, High-Res Audio) *6 | ||
| MOV*2/*4-50.00Hz | <3328x2496> 25.00p, 100Mbps (4:2:0 8-bit LongGOP) (LPCM, High-Res Audio) | ||
| MOV*2/*4-24.00Hz | <3328x2496> 24.00p, 400Mbps (4:2:2 10-bit ALL-Intra) (LPCM, High-Res Audio) *7 | ||
| MOV*2/*4-24.00Hz | <3328x2496> 24.00p, 150Mbps (4:2:2 10-bit LongGOP) (LPCM, High-Res Audio) *6 | ||
| MOV*2/*4-24.00Hz | <3328x2496> 24.00p, 100Mbps (4:2:0 8-bit LongGOP) (LPCM, High-Res Audio) | ||
| MP4*2-59.94Hz | <3328x2496>59.94p, 150Mbps (4:2:0 8-bit LongGOP) (LPCM) | ||
| MP4*2-59.94Hz | <3328x2496>29.97p, 400Mbps (4:2:2 10-bit ALL-Intra) (LPCM) *7 | ||
| MP4*2-59.94Hz | <3328x2496>29.97p, 150Mbps (4:2:2 10-bit LongGOP) (LPCM) *6 | ||
| MP4*2-59.94Hz | <3328x2496>29.97p, 100Mbps (4:2:0 8-bit LongGOP) (LPCM) | ||
| MP4*2-59.94Hz | <3328x2496>23.98p, 400Mbps (4:2:2 10-bit ALL-Intra) (LPCM) *7 | ||
| MP4*2-59.94Hz | <3328x2496>23.98p, 150Mbps (4:2:2 10-bit LongGOP) (LPCM) *6 | ||
| MP4*2-59.94Hz | <3328x2496>23.98p, 100Mbps (4:2:0 8-bit LongGOP) (LPCM) | ||
| MP4*2-50.00Hz | <3328x2496> 50.00p, 150Mbps (4:2:0 8-bit LongGOP) (LPCM) | ||
| MP4*2-50.00Hz | <3328x2496> 25.00p, 400Mbps (4:2:2 10-bit ALL-Intra) (LPCM) *7 | ||
| MP4*2-50.00Hz | <3328x2496> 25.00p, 150Mbps (4:2:2 10-bit LongGOP) (LPCM) *6 | ||
| MP4*2-50.00Hz | <3328x2496> 25.00p, 100Mbps (4:2:0 8-bit LongGOP) (LPCM) | ||
| MP4*2-24.00Hz | <3328x2496> 24.00p, 400Mbps (4:2:2 10-bit ALL-Intra) (LPCM) *7 | ||
| MP4*2-24.00Hz | <3328x2496> 24.00p, 150Mbps (4:2:2 10-bit LongGOP) (LPCM) *6 | ||
| MP4*2-24.00Hz | <3328x2496> 24.00p, 100Mbps (4:2:0 8-bit LongGOP) (LPCM) | ||
| MOTION PICTURE FUNCTION | Master pedestal level | 31 steps | |
| Luminance level | 8-bit: 0-255 / 16-235 / 16-255 | ||
| Luminance level | 10-bit: 0‒1023 / 64‒940 / 64‒1023 | ||
| Wave form monitor / Vectorscope | Selectable | ||
| LUT display | LUT Monitor Display / LUT HDMI Display *Upgrade Software Key DMW-SFU1 (sold separately) is required. | ||
| Synchro scan | Yes | ||
| Time code | Count Up: Rec Run/Free Run selectable, Time Code Mode: Drop frame/Non-drop frame selectable (When system frequency [59.94Hz] is selected.) | ||
| SS/Gain operation | Shutter Duration/ISO / Angle/ISO / Shutter Duration/dB | ||
| Color bars / 1kHz test tone | Yes (SMPTE / EBU / ARIB) / Yes | ||
| Photo style for motion picture | Cinelike D / Cinelike V / Like709* / Hybrid Log Gamma*/*7 / V-LogL*/** | ||
| Photo style for motion picture | *When Creative Video Mode is selected. **Upgrade Software Key DMW-SFU1 (sold separately) is required. | ||
| Knee control | Yes (in Like709 mode) | ||
| PLAYBACK | Playback mode | 30-thumbnail display, 12-thumbnail display, Calendar display, Zoomed playback (Max. 16x), Slideshow (All / Picture Only / Video Only, duration & effect is selectable), Playback Mode (Normal / Picture Only / Video Only), Protect, Rating, Title Edit, Face Recognition Edit, DPOF Print Set, RAW Processing, 6K/4K PHOTO Bulk Saving, 6K/4K PHOTO Noise Reduction, Light Composition, Clear Retouch, Text Stamp, Copy, Resize, Cropping, Rotate, Video Divide, Time Lapse Video, Stop Motion Video, Rotation Display, Anamorphic Desqueeze Display*7, HLG View Assist*7, Picture Sort, Delete Confirmation, Creating Still Pictures from a Motion Picture | |
| IMAGE PROTECTION / ERASE | Protection | Single / Multi or Cancel | |
| Erase | Single / Multi / All / Except Favorite | ||
| Direct Print | PictBridge compatible | ||
| INTERFACE | USB | USB Type-C, Super Speed USB3.1 GEN1 | |
| HDMI*3 | Monitor-through | 4:2:2 10-bit (When [Rec Quality] is set to [4:2:2 10bit] or when [Rec Quality] is set to [4K/60p]/[4K/50p] and [4K/60p Bit Mode]/[4K/50p Bit Mode] is set to [4:2:2 10bit]. When [4K/60p]/[4K/50p] mode is selected in [Rec Quality], it is not possible to record motion picture or still picture on the SD memory card in the camera unit.) | |
| Monitor-through | 4:2:2 8bit (When [Rec Quality] is set to [4:2:0 8bit], except for [4K 60p]/[4K/50p]) | ||
| Monitor-through | 4:2:0 8bit (When [Rec Quality] is set to [4K/60p]/[4K/50p] and [4K/60p Bit Mode]/[4K/50p Bit Mode] is set to [4:2:0 8bit].) | ||
| Monitor-through | Auto / 4K/30p/25p / 1080p / 1080i / OFF | ||
| Monitor-through | Information display ON/OFF (selectable) | ||
| Monitor-through | Automatic down-conversion | ||
| Monitor-through | HLG View Assist (HDMI) AUTO / MODE1 / MODE2 / OFF (selectable)*7 | ||
| Playback | HDMI TypeA / VIERA Link, Audio: Stereo | ||
| Playback | 59.94Hz: Auto / 4K/60p / 4K/30p / 1080p / 1080i / 720p / 480p | ||
| Playback | 50.00Hz: Auto / 4K/50p / 4K/25p / 1080p / 1080i / 720p / 576p | ||
| Playback | 24.00Hz: Auto / C4K / 4K/24p / 1080p | ||
| Audio video output | No | ||
| Remote input | φ2.5mm for remote | ||
| External microphone input | φ3.5mm for external microphone | ||
| External microphone input | Stereo/Lens Auto/Shotgun/Super Shotgun/Manual is selectable when attaching DMW-MS2 (sold separately). | ||
| Headphone output | φ3.5mm for headphone | ||
| Microphone | Stereo, Wind Noise Canceller: OFF / Low / Standard / High / AUTO | ||
| High-res audio recording | Yes with DMW-XLR1 (sold separately) | ||
| Speaker | Monaural | ||
| SD card slot | Slot 1, Slot 2 | ||
| LANGUAGE | OSD language | English, Chinese (Traditional), Chinese (Simplified), Thai, Arabic, Persian, Vietnamese, Hindi | |
| GENERAL | POWER | Battery | Li-ion Battery Pack (7.2V, 1860mAh, 14Wh) (included) |
| Battery life (CIPA standard) | Approx. 410 images (rear monitor), 400 images (LVF), 1,000 images (Power Save LVF mode*) with H-FS12060 | ||
| Battery life (CIPA standard) | Approx. 410 images (rear monitor), 390 images (LVF), 1,000 images (Power Save LVF mode*) with H-HSA12035 | ||
| Battery life (CIPA standard) | Approx. 400 images (rear monitor), 380 images (LVF), 1,000 images (Power Save LVF mode*) with H-ES12060 | ||
| Battery life (CIPA standard) | * Under the test conditions specified by Panasonic based on CIPA standard. When the time to get in the sleep mode is set to 3 sec. | ||
| Battery grip | DMW-BGGH5 (sold separately) | ||
| DIMENSIONS / WEIGHT | Dimensions (W x H x D) | 138.5 x 98.1 x 87.4 mm / 5.45 x 3.86 x 3.44 inch (excluding protrusions) | |
| Weight | Approx. 725g / 1.60 lb (SD card, Battery, Body) | ||
| Weight | Approx. 645g / 1.42 lb (Body only) | ||
| Weight | Approx. 935g / 2.06 lb (SD card x 1, Battery, H-FS12060 lens included) | ||
| Weight | Approx. 1030g / 2.27 lb (SD card x 1, Battery, H-HSA12035 lens included) | ||
| Weight | Approx. 1045g / 2.30 lb (SD card x 1, Battery, H-ES12060 lens included) | ||
| OPERATING ENVIRONMENT | Operating temperature*5 | -10℃ to 40℃ (14°F to 104°F) | |
| Operating humidity | 10%RH to 80％RH | ||
| STANDARD ACCESSORIES | Software | ・ The software to edit and playback images on computer is not bundled with this camera. To do this, PHOTOfunSTUDIO 10.0XE is available for download at Panasonic website using computer connected to the Internet. http://panasonic.jp/support/global/cs/soft/downloa... (For Windows) ・ The software to process RAW file on computer is not bundled with this camera. To do this, SILKYPIX Developer Studio is available for download at Ichikawa Soft Laboratory's website using computer connected to the Internet. http://www.isl.co.jp/SILKYPIX/english/p/ (For Windows / Mac) | |
| Standard accessories | Battery Charger (AC Cable included), Battery Pack, Body Cap, Hot Shoe Cover, Eye Cup, Flash Syncro Socket Cap, Cover for the Battery Grip Connector, USB Connection Cable, Shoulder Strap, Cable Holder | ||
| NOTE | *1 6K PHOTO is a high speed burst shooting function that cuts a still image out of a 4:3 or 3:2 video footage with approx. 18-megapixel (approx. 6000 x 3000 effective pixel count) that the 6K image manages. | ||
| NOTE | *2 About motion picture recording / 6K PHOTO/4K PHOTO recording | ||
| NOTE | - Use a card with SD Speed Class with ""Class 4"" or higher when recording motion pictures in [AVCHD] or [MP4(under 28Mbps)]. | ||
| NOTE | - Use a card with SD Speed Class with ""UHS-I / UHS-II UHS Speed Class 3 (U3)"" when recording motion pictures with [MP4] in [4K], [mov] or [6K PHOTO/4K PHOTO]. | ||
| NOTE | (SD speed class is the speed standard regarding continuous writing.) | ||
| NOTE | - MP4 motion pictures with [MP4] in [4K]: | ||
| NOTE | - When using an SDHC memory card: You can continue recording without interruption even if the file size exceeds 4 GB, but the motion picture file will be divided and recorded/played back separately. | ||
| NOTE | - When using an SDXC memory card: You can continue recording without interruption even if the file size exceeds 96 GB or 3 hours 4 minutes in length, but the motion picture file will be divided and recorded/played back separately. | ||
| NOTE | - MP4 motion pictures with [MP4] in [FHD]: | ||
| NOTE | - You can continue recording without interruption even if the file size exceeds 4 GB or 30 minutes in length, but the motion picture file will be divided and recorded/played back separately. | ||
| NOTE | *3 For [4K 60p] [4K 50p] video output, use an HDMI2.0 cable that has the HDMI logo on it, and that is described as"4K compatible". | ||
| NOTE | *4 High-res audio is selectable only when using the DMW-XLR1 (sold separately). | ||
| NOTE | *5 The camera may stop recording when used in lower or higher than recommended operating temperature: -10 to 40 degrees. | ||
| NOTE | *6 Firmware must be updated to version 1.1 or later. | ||
| NOTE | *7 Firmware must be updated to the latest version 2.0. | ||
| NOTE | - Video Speed Class 60 or higher is required for ALL-Intra 400Mbps recording. Use of SD Memory Card with Video Speed Class 60 or higher is recommended for 4K ALL-Intra video recording. | ||
| NOTE | - Use of Panasonic SD Memory Card with Video Speed Class 90 is recommended for [Loop Rec] of [6K PHOTO]. | ||
| NOTE | ・4:2:2 10-bit recording is a recording mode for film production and the video needs to be processed on PC. | ||
| NOTE | The original video cannot be played on standard TV, Blu-ray Disc™ recorder and Blu-ray Disc™ player. | ||
| NOTE | It may cause problems such as freezing when played on these devices.. | ||
![](https://focusnusantara.com/images/companies/1/quicklinks/whatsapp.png?1506392473335")
